Verses in Freedom is a recital where poetry and music become a refuge from the vertigo of time. We live through days, months, and years without stopping to take in the “here and now,” letting slip moments that deserve to be lived fully. That is why, now more than ever, this show invites us to pause, listen, and feel.
Conceived as a tribute to the Generation of '27, the recital traverses the beauty, strength, and relevance of some of the most essential verses of our great poets. The emotion of the words by authors such as Federico García Lorca, Rafael Alberti, Pedro Salinas, Luis Cernuda, or Vicente Aleixandre comes alive on stage in an encounter where poetry and music converse to restore our memory of one of the brightest periods in our literature.
The unmistakable voice and presence of Charo López guide this poetic journey with sensitivity and emotion, while baritone Luis Santana adds depth and musical lyricism through a carefully selected repertoire. At the piano, maestro Víctor Carbajo weaves a delicate and evocative soundscape that amplifies the power of the word.
Verses in Freedom is an intimate meeting between poetry and music, a space to stop time and become aware of the present through art. A recital brimming with beauty, emotion, and memory that pays tribute to the free, innovative, and deeply human spirit of the Generation of '27, reminding us that their verses continue to illuminate our time.

CHAROLÓPEZ - Performer
Born in Salamanca in 1943, she was clear about her acting vocation from the age of 17. It was at university, while studying Philosophy and Literature in her hometown, that she took her first steps with the Spanish University Theatre. While working as a teacher, she met filmmaker Gonzalo Suárez, who proposed she star in Ditirambo (1967), and her life changed. With him, she has worked on seven other feature films, and since then she has appeared in around 60 films, 40 series, and about twenty plays, alongside some of the most prestigious directors in our country.
It was Manuel Vicent who, with precision, defined her as «the symbol of light at the end of the Francoist tunnel».
After embodying Mauricia in the series Fortunata y Jacinta, her portrayal of Clara Aldán in Los gozos y las sombras made her a benchmark, from which she went on to chain one success after another on the big screen. Thus, her filmography includes titles such as La colmena, by Mario Camus; Los paraísos perdidos, by Basilio Martín Patino; Tiempo de silencio, by Vicente Aranda; Lo más natural, by Josefina Molina; Kika, by Pedro Almodóvar; Ánima, by Titus Leber, or Plenilunio, by Imanol Uribe.
Her impact in Latin America soared in the late 80s, when she toured Argentine stages with A Special Day and Hay que deshacer la casa. In Spain, her greatest stage impact came with Let's Keep Sex in Peace, based on a text by Dario Fo, and with her one-woman show Ojos de agua, inspired by La Celestina.In 1997, she dazzled audiences as María in Secretos del corazón, by Montxo Armendáriz, a role that earned her the Goya Award for Best Supporting Actress, and she now has Baby, Juanma Bajo Ulloa’s latest work, awaiting release.
Winner of the Silver Frames for her entire career, the Nacho Martínez Award at the Gijón Festival, and the San Jordi Cinematography Award in 2010, among her accolades are also three TP de Oro awards, two prizes from the National Syndicate of Entertainment, the FAD Prize for Film and Social Values, and other honours.


Charo López, the iconic actress who played Clara Aldán in the television series 'Los gozos y las sombras', based on Gonzalo Torrente Ballester's eponymous trilogy, had the audience on its feet at the Pazo da Cultura in Pontevedra on the night of Saturday, February 4th.

Teatro de Rojas lived one of those nights in which culture seems to recover its most soulful pulse and, without a doubt, very much alive. An evening in which the word—this fragile and resilient matter, so similar to glass and iron—once again took its rightful place: the center of collective emotion.

Last night, the actress from Salamanca, Charo López, filled the 'Reina Berenguela' Municipal Auditorium in Villares de la Reina with a performance in which she shone before the audience. More than 400 people attended the show, and many were left outside as tickets sold out.

An opening with the departure of Sigmund Thalberg could not have led to anything but success for an evening between Luis Santana and Charo López accompanied by Víctor López on the piano at the Principal theatre

El Teatro de Rojas lived one of those nights in which culture seems to recover its most soulful pulse and, without a doubt, very much alive. Programming shows like this is not just a success: it is a necessity. Because they return to poetry its communal character, its ability to bring together strangers around a shared emotion. And because they remind us that literature is not a dead art, but a living organism that continues to beat in the voice of those who read it, sing it, listen to it and share it.






PROGRAM - VERSE BY VERSE
1 - The roosters are already singing, my love, and go away (spoken) Anonymous
1 - Song – At Dawn
Luis Eduardo Aute (1943-2020)
2 – Living Flame of Love (spoken) Saint John of the Cross (1542-1591)
2 - Song – I gave chase to the hunt
Michael Nyman (1944-)
3 - You Foolish Men, What Are You Accusing (spoken)
Sor Juana Inés de la Cruz
3 - Song – The Weeping Woman Pablo Esteve (1730-1794)
5 - To Pablo Neruda, with Chile in my heart (spoken) Rafael Alberti
5 - Song – You’re My Everything
Juan Carlos Calderón (1936-2012)
6 - Elegy (spoken)
Miguel Hernández (1910-1942)
6 - Song – For Freedom Joan Manuel Serrat (1943-)
7 - Onion Lullabies (spoken and sung) Miguel Hernández (1910-1942)
8 - To You One Only Arrives Through You (spoken) Pedro Salinas (1891-1951)
8 - Song – The Dove Was Wrong Carlos Guastavino (1912-2000)
9 - Ballad of the Moon Moon (recited) Federico García Lorca (1898-1936)
9 - Song – Son of the Moon José María Cano (1959-)
10 - Sleepwalking Ballad (recited) Federico García Lorca (1898-1936)
10 - Song – Freedom Without Rage Jarcha
11 - The Unfaithful Wife (recited) Federico García Lorca (1898-1936)
11 - Song – Come On, Let’s Dance Federico García Lorca (1898-1936)
12 - I Go Dreaming of Paths (recited) Antonio Machado (1875-1939)
12 - Song – Alfonsina and the Sea Ariel Ramírez (1921-2010)
13 - To a Withered Elm Tree (recited) Antonio Machado (1875-1939)
13 - Song: The Day You Love Me Carlos Gardel (1890-1935)
14 - The Flies (recited) Antonio Machado (1875-1939)
14 - Song: Free
Nino Bravo (1944-1973)
15 - Songs (recited and sung) Antonio Machado – Joan Manuel Serrat
Próximas fechas
Sábado 7 de Febrero – Sagunt – Juan Echanove
Viernes 13 de Febrero – Lorca – Pepe Viyuela
Martes 18 de Febrero – Soria – María Galiana
Sábado 21 de Febrero – Alcalá de Henares – Simona Todaro
Jueves 26 de Febrero – Rivas – Petra Martínez
Viernes 27 de Febrero – Toledo – Charo López
Sábado 28 de Febrero – Albatera – Charo López
Sábado 28 de Febrero – El Escorial – Petra Martínez
Domingo 1 de Marzo – Ibi – María Galiana
Sábado 7 de Marzo – Majadahonda – Charo López
Domingo 8 de Marzo – Segovia - Charo López
Sábado 14 de Marzo – Tres Cantos – Ainhoa Arteta
Domingo 15 de Marzo – Bilbao – Charo López
Sábado 28 de Marzo – Robledo de Chavela – Charo López
Domingo 5 de Abril – Ibiza – Montserrat Martí
Sábado 18 de Abril – Alcantarilla – María Galiana
Miércoles 23 de Abril – Rivas – Charo López
Viernes 8 de Mayo – Almería – Pepón Nieto
Viernes 26 de Junio – Antequera – Luis Santana
Viernes 17 de Julio – Marbella – Montserrat Martí
Sábado 18 de Julio – Ceuta – Montserrat Martí & Bianca Tognocchi
Sábado 1 de Agosto – Besalú – Querida Montserrat Querido Luciano
Domingo 2 de Agosto – Calafell – Ainhoa Arteta
Viernes 21 de Agosto – Medinaceli – Pepe Viyuela
Viernes 4 de Septiembre – El Carpio - Pepe Viyuela
Sábado 5 de Septiembre – Sitges – Ainhoa Arteta
Domingo 6 de Septiembre – Montalbán - Pepe Viyuela
Domingo 13 de Septiembre – Astorga – Juan Echanove
Domingo 20 de Septiembre – Molins de Rei – Montserrat Martí
Sábado 26 de Septiembre – Écija – Luis Merlo